Perfect for fans of Michael Connelly's Bosch
series, Gil Reavill's gripping new Layla Remington thriller plunges readers
beneath the glittering facade of Hollywood and into a terrifying underworld
where beautiful women can
just . . . disappear.
just . . . disappear.
Malibu
is crumbling. A monster earthquake has just ripped apart some of the priciest
real estate on the planet. In a bizarre twist, it has also exposed a grisly
tableau buried for years beneath one particularly unstable hilltop: a steel
barrel containing the mummified remains of Tarin Mistry, the beautiful starlet
who went missing a decade ago. When Detective Investigator Layla Remington
looks into that wretched metal coffin, she realizes she's just landed the case
of a lifetime.
But before Layla even strips off her latex gloves, a pair of hotshot LAPD detectives arrive on the scene and pull her off the investigation. Undeterred, Layla pursues her own line of inquiry, risking her badge and her life to track down Tarin's murderer: from the rarified air of exclusive canyon communities to seedy sex clubs downtown, all the way to the secluded lair of one of Hollywood's most powerful men. But while Tarin's a cold case, her killer is poised to strike again--and, in Layla, this depraved sociopath has just found fresh prey.
But before Layla even strips off her latex gloves, a pair of hotshot LAPD detectives arrive on the scene and pull her off the investigation. Undeterred, Layla pursues her own line of inquiry, risking her badge and her life to track down Tarin's murderer: from the rarified air of exclusive canyon communities to seedy sex clubs downtown, all the way to the secluded lair of one of Hollywood's most powerful men. But while Tarin's a cold case, her killer is poised to strike again--and, in Layla, this depraved sociopath has just found fresh prey.
Author Bio
Gil Reavill is a journalist, screenwriter, and
playwright. Widely featured in magazines, Reavill is the author of a crime
novel, Thirteen Hollywood Apes, nominated
for a Thriller Award from International Thriller Writers. He has written two
works of crime non-fiction: Mafia Summit: J. Edgar
Hoover, the Kennedy Brothers, and the Meeting That Unmasked the Mob, and Aftermath, Inc.: Cleaning Up After CSI Goes
Home. He also co-wrote the screenplay for the 2006 film Dirty, starring Cuba Gooding,
Jr. He lives in New York with his wife, the author Jean Zimmerman, and their
daughter.
Links
Penguin Random House: Penguin Random House
Amazon: Amazon
Barnes and Noble: B&N
iBooks: iBooks
Google
play: Google
Play
Books a Million: Books a Million
Kobo: Kobo
Here is an excerpt to include
in your post.
It took Remington half the morning to travel five miles from central
Malibu down the coast to the community’s far eastern border. She passed through
a battle zone, one more front in the ongoing war of Nature versus Los Angeles.
The PCH was closed, with parts of the roadway heaved two feet from true. Units
of the Guard were moving in.
Malibu being the haven of the stars that it was, rumors of celebrity
deaths flew. The actress Halle Berry was supposed to have died when her
beachfront mansion collapsed. The buzz had it that Bob Dylan had been swept out
to sea. Both accounts later proved false. But Remington heard “tsunami” from
the lips of stunned, vacant-eyed citizens, the term hanging in the air like a
drone of insects. The feared giant wave never came.
“Up there, in that grove of cottonwoods, where the slide pushed
against the check dam,” Deputy Tejeda told Remington when the detective finally
made it to the scene.
Only it wasn’t a scene. It was chaos.
Paz Tejeda was part of an h.r.d.
team from the L.A. County Sheriff’s Department, searching the area around a
parking garage that had collapsed downhill into an apartment building. A pair
of structural engineers were already on-site.
The deputy pointed up the slope. Remington focused her field
glasses. She could see nothing but a clutter of mid-sized boulders and an
immense skid of dirt where a landslide had taken out a section of the hillside.
Tejeda had her cadaver dog with her. The beagle wore a black vinyl
vest with the letters “H.R.D.” and the words “L.A. County Sheriff’s Department”
emblazoned on it. H.R.D., meaning human remains detection.
“We’ve got multiple fatalities in the apartments.” Tejeda indicated
the dog. “Cindy and I were working our way around back, and all at once she
takes off upslope. I called her, but she wouldn’t break her run. Then she
alerted.”
Why bring in the murder squad?
Remington wondered. She was fairly new to the Homicide Bureau. When the
earthquake hit, an “all available” request went out, summoning the whole sheriff’s
department for emergency duty. But dispatch informed her that Deputy Tejeda had
specifically requested that personnel be detailed from the homicide unit.
“It’s the way Cindy alerted,” Tejeda replied to Remington’s unspoken
question. “She’s trained to respond in different ways for different situations.
She didn’t sit, she lay down.”
“What does that mean?”
“She’s indicating that she detected decay or decomposition. The
bodies from the quake wouldn’t have time to rot yet. She would sit for those.
But this one she lay right down for.”
Tejeda took an ash-stained cloth from her back pocket. She knelt and
put the handkerchief to Cindy’s nose.
“Blow,” the deputy ordered. Remington watched, disbelieving, as the
pooch gave a dainty little sneeze into the cloth.
“Her nose gets stuffed up with all the dust and ash,” Tejeda
explained.
“Right.” Remington shook her head in wonderment.
She stared down toward the highway. Helicopters throbbed like
migraines overhead, including a big Huey up from Miramar. The emergency sirens
were constant. Malibu had exploded. The authorities were estimating a half
billion dollars’ worth of destruction.
In the midst of all the madness, was she going to take her cue from
a trained canine? She glanced down at Cindy. The dog looked up at her handler,
eager, stepping in place.
“Okay,” Remington said.
Tejeda unsnapped the beagle’s leash. Cindy bounded away,
straight-arrowing up the slope.
A volunteer emergency worker tried to head off Remington from
following the dog. “Ma’am, we can’t let you go up there.”
A bald guy wearing an EMT windbreaker. He approached and attempted
to physically block her. “The ground is too unstable for you to—”
Remington flipped open her badge wallet to display her gold shield.
“It’s not ‘ma’am,’ sir,” she said. “It’s ‘Detective.’ ” She didn’t
appreciate men who used their weight as an argument.
He called after her as she stepped around him. “Ma’am? Ma’am?”
The steel barrel, when Remington approached it after a steep,
precarious climb, lay ruptured amid a jumble of landslide debris. The detective
didn’t need a cadaver dog to identify the stench of death.
Even in the midst of catastrophe, the sun shone off the ocean as if
Malibu would remain forever in a state of grace. Somehow, though, the rays
didn’t penetrate the darkness of the eighty-five-gallon drum’s interior.
Remington took a Maglite from the small duty belt she wore. She snapped it on
and directed the light past the jagged edges of the ripped-open barrel, its
black steel freckled with rust.
The body lay curled up within the tight space. If left exposed in a
dry environment, a human corpse will slowly retract into a prayerful posture,
head bowed, hands pulled in under the chin, knees bent. Remington tried to tell
herself that there was nothing particularly meaningful about it, despite the
religious symbolism. It was simply a case of muscles tightening because of
tissue dehydration. But the effect made her shiver.
The beam of her flashlight played across the mummified remains. In
the sudden illumination, the platinum swirl of hair lit up like a Clairol ad.
Jean Harlow hair, so pale and exquisite that it seemed to give off glints of
silver.
Even before Remington saw the necklace, a name occurred to her
because of that distinctive, white-blond hair. A certain missing girl was known
for it.
Tarin Mistry.
The aspiring actress’s disappearance, more than five years ago, had
triggered a massive search effort, equally frantic press coverage and a
derailed homicide prosecution dismissed by the judge for lack of a corpse. Born
Beth (actually, Bethlehem) Gunion, she had starred in a sleeper indie film that
had broken huge. Breathless “Mystery of Tarin Mistry” documentaries still
cropped up occasionally on cable. It was one of those deaths that wouldn’t die.
A necklace rested against the brown, leathery skin of the corpse’s
throat. The silver chain displayed a single ornament, a cheapo enameled charm.
The cursive letter “T,” embedded with an opal birthstone.
Every gold badge in California knew that charm. The missing-persons
report on Tarin Mistry described the piece in detail. People had been searching
for it for years.
Layla Remington had just caught the case of a lifetime.
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